Dr Rebecca Green (Becky) is a graphic designer, illustrator and academic. She has taught graphic design, image production and user experience design at Queensland universities and in Hong Kong since 2008.
Director, Environmental Research Initiative for Art, School of Art
I have been described as a pioneer in, and one of Australia’s foremost proponents of, sustainable energy systems, electronic interconnectivity and interactivity embedded in the physical art object. I have worked with alternative energy systems in his sculpture and installation art for over twenty years.
Dr David Eastwood is an artist and academic whose practice is primarily situated in drawing and painting. He uses the interior as a genre through which to construct composite images that reconfigure spatio-temporalities, reevaluating relationships across historical periods and locations.
Tomasz Bednarz is a Director at the Expanded Perception & Interaction Centre (EPICentre) UNSW Art & Design. He is also a Team Leader at the CSIRO Data61 (leading Visual Analytics team, in Software & Computational Systems research program).
Diana Baker Smith is an artist and lecturer at UNSW Art & Design with expertise in contemporary art theory, practice led research and performance studies.
Grant Stevens, Deputy Head of School (Art) at UNSW Art & Design, is an artist and academic with expertise in contemporary art practice and theory. His teaching, research and practice focus on the relationships between photography, the moving image, and emerging digital cultures.
Dr Edward Scheer works across Performance Studies and Visual Culture and is currently engaged in two collaborative ARC funded Discovery projects Towards an Experimental Humanties with colleagues (Brannigan and Muecke) at UNSW and New Media Dramaturgy with an international team (Eckersall and Grehan et al). His new book with Helena Grehan is William Yang: Stories of Love and Death (New South Press, 2015) and The Dumb Type Reader with Peter Eckersall is forthcoming with MTP Press in Copenhagen in 2016.
Associate Professor Katherine Moline explores the cross-overs between avant-gardism in visual art and contemporary experimental design. Her focus is how experimental practice reformulates the social pacts of art and design.