Oliver Beer’s practice engages with sound, architecture and the memory of objects. 'Impossible Composition' reflects Beer’s experience as an artist in residence at the Sydney Opera House in 2018.

'Architecture Makes Us' is a mid-career survey bringing together six video works by the collaborative duo. The exhibition explores craggy geographies, territorialisation, surveillance, exhausted systems and future philosophies.

Zanny Begg’s practice incorporates film, drawing and installation, with a particular interest in exploring hidden or contested histories. 'The Beehive' is a non-linear experimental documentary exploring the unsolved murder of Sydney anti-development campaigner and glamorous style icon Juanita Nielsen in 1975.

Taking its title from Terry Irving and Rowan Cahill’s book on dissident politics and actions in Sydney; this program of talks, documentary screenings and performances engage with the histories and futures of local activism concerned with housing, public space, sexuality and gender.

'Rhythm Sequence' is the first career survey of Australian artist Gemma Smith. The exhibition traces the development of Smith’s practice since 2003 and its experimentation with the language of painting. It celebrates Smith’s reworking

Multidisciplinary designers Elliott Bryce Foulkes and Maria Smit draw on a collaborative working process to explore the practice of graphic design within the museum.

The work of Nicholas Aloisio-Shearer considers the field of image production surrounding video games. Focusing on the culture of hacking and “modding”, it examines the production of fan-art and its appropriation of models and image assets from games.

'Material Place' gathers artists who, whether in local ochres or on Google Earth, are thinking through the materiality of the Australian landscape and its representation.

Rachel O’Reilly is an artist-poet, critic, independent curator and researcher whose work explores relationships between art and situated cultural practice, media philosophy and feminist political economy.

The work of Debra Porch (1954–2017) explores the potency of memory and its ability to transform the ordinary into the extraordinary.

Since 2010, the John Fries Award has recognised the contribution and achievement of early career practitioners from Australia and New Zealand.

The Freedman Foundation Travelling Scholarship for Emerging Artists celebrates the work by early career Australian artists.

The Big Anxiety – festival of arts + science + people, brings together artists, scientists and communities to question and re-imagine the state of mental health in the 21st century.

'NOSFERATU (The Undead)' is a film installation by Venezuelan born, New York-based artist Javier Téllez that focuses on cinema and mental illness.

The largest national showcase of graduate contemporary art and design, the UNSW Art & Design A&D Annual launches the next generation of artists, designers, makers and digital media creators.